''Springtime a la Carte'' by O. Henry

Lesson Plan - Get It!

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O. Henry wrote a story about a young lady who worked as a typist while waiting for spring and a reunion with her beloved.

Read this story and consider what comments you would make about it in a group discussion.

"Springtime A La Carte" by O. Henry (edited)

Sarah was a free-lance typist and canvassed for odd jobs of copying. The most brilliant and crowning feat of Sarah's battle with the world was the deal she made with Schulenberg's Home Restaurant.

The restaurant was next door to the old red brick in which she ball-roomed. One evening after dining at Schulenberg's, Sarah took away with her the bill of fare. It was written in an almost unreadable script neither English nor German, and so arranged that if you were not careful you began with a toothpick and rice pudding and ended with soup and the day of the week.

The next day Sarah showed Schulenberg a neat card on which the menu was beautifully typewritten with the viands (food items) temptingly marshalled under their right and proper heads from "hors d'oeuvre" to "not responsible for overcoats and umbrellas."

Before Sarah left him she had him willingly committed to an agreement. She was to furnish typewritten bills of fare for the twenty-one tables in the restaurant--a new bill for each day's dinner, and new ones for breakfast and lunch as often as changes occurred in the food or as neatness required.

In return for this Schulenberg was to send three meals per diem (per day) to Sarah's hall room by a waiter, and furnish her each afternoon with a pencil draft of what Fate had in store for Schulenberg's customers tomorrow.

Mutual satisfaction resulted from the agreement. Schulenberg's patrons now knew what the food they ate was called even if its nature sometimes puzzled them. And Sarah had food during a cold, dull winter, which was the main thing with her.

And then the almanac lied, and said that spring had come. Spring comes when it comes. The frozen snows of January still lay like adamant in the crosstown streets. The hand-organs still played "In the Good Old Summertime," with their December vivacity and expression. Men began to make thirty-day notes to buy Easter dresses. Janitors shut off steam. And when these things happen one may know that the city is still in the clutches of winter.

One afternoon Sarah shivered in her elegant hall bedroom. She had no work to do except Schulenberg's menu cards. Sarah sat in her squeaky willow rocker, and looked out the window. The calendar on the wall kept crying to her: "Springtime is here, Sarah-- springtime is here, I tell you. Look at me, Sarah, my figures show it. You've got a neat figure yourself, Sarah--a--nice springtime figure--why do you look out the window so sadly?"

On the previous summer Sarah had gone into the country and fallen in love with a farmer.

Sarah stayed two weeks at Sunnybrook Farm. There she learned to love old Farmer Franklin's son, Walter. Farmers have been loved and wedded and turned out to grass in less time. But young Walter Franklin was a modern agriculturist. He had a telephone in his cow house, and he could figure up exactly what effect next year's Canada wheat crop would have on potatoes planted in the dark of the moon.

It was in this shaded and raspberried lane that Walter had wooed and won her. And together they had sat and woven a crown of dandelions for her hair. He had immoderately praised the effect of the yellow blossoms against her brown tresses; and she had left the chaplet there, and walked back to the house swinging her straw sailor hat in her hands.

They were to marry in the spring--at the very first signs of spring, Walter said. And Sarah came back to the city to pound her typewriter.

A knock at the door dispelled Sarah's visions of that happy day. A waiter had brought the rough pencil draft of the Home Restaurant's next day fare in old Schulenberg's angular hand.

Sarah sat down to her typewriter and slipped a card between the rollers. She was a nimble worker. Generally in an hour and a half the twenty-one menu cards were written and ready.

Sarah's fingers danced like midgets above a summer stream. Down through the courses she worked, giving each item its position according to its length with an accurate eye. Just above the desserts came the list of vegetables. Carrots and peas, asparagus on toast, the perennial tomatoes and corn and succotash, lima beans, cabbage--and then--

Sarah was crying over her bill of fare. Tears from the depths of some divine despair rose in her heart and gathered to her eyes. Down went her head on the little typewriter stand; and the keyboard rattled a dry accompaniment to her moist sobs.

For she had received no letter from Walter in two weeks, and the next item on the bill of fare was dandelions--dandelions with some kind of egg--but bother the egg!--dandelions, with whose golden blooms Walter had crowned her his queen of love and future bride--dandelions, the harbingers of spring, her sorrow's crown of sorrow--reminder of her happiest days.

By and by Sarah forced back her tears. The cards must be written. But, still in a faint, golden glow from her dandeleonine dream, she fingered the typewriter keys absently for a little while, with her mind and heart in the meadow lane with her young farmer. But soon she came swiftly back to the rock-bound lanes of Manhattan, and the typewriter began to rattle and jump.

At 6 o'clock the waiter brought her dinner and carried away the typewritten bill of fare. When Sarah ate she set aside, with a sigh, the dish of dandelions. As this dark mass had been transformed from a bright and love-indorsed flower to be an ignominious vegetable, so had her summer hopes wilted and perished. Love may, as Shakespeare said, feed on itself: but Sarah could not bring herself to eat the dandelions that had graced, as ornaments, the first spiritual banquet of her heart's true affection.

At 7:30, the front door bell rang. The landlady answered it.

And then a strong voice was heard in the hall below, and Sarah jumped for her door, leaving the book on the floor and the first round easily the bear's. You have guessed it. She reached the top of the stairs just as her farmer came up, three at a jump, and reaped and garnered her, with nothing left for the gleaners.

"Why haven't you written--oh, why?" cried Sarah.

"New York is a pretty large town," said Walter Franklin. "I came in a week ago to your old address. I found that you went away on a Thursday. That consoled some; it eliminated the possible Friday bad luck. But it didn't prevent my hunting for you with police and otherwise ever since!

"I wrote!" said Sarah, vehemently.

"I never got it!"

"Then how did you find me?"

The young farmer smiled a springtime smile. "I dropped into that Home Restaurant next door this evening," said he. "I don't care who knows it; I like a dish of some kind of greens at this time of the year. I ran my eye down that nice typewritten bill of fare looking for something in that line. When I got below cabbage I turned my chair over and hollered for the proprietor. He told me where you lived."

"I remember," sighed Sarah, happily. "That was dandelions below cabbage."

"I'd know that cranky capital W 'way above the line that your typewriter makes anywhere in the world," said Franklin.

"Why, there's no W in dandelions," said Sarah, in surprise.

The young man drew the bill of fare from his pocket, and pointed to a line.

Sarah recognised the first card she had typewritten that afternoon. There was still the splotch in the upper right-hand corner where a tear had fallen. But over the spot where one should have read the name of the meadow plant, the clinging memory of their golden blossoms had allowed her fingers to strike strange keys.

Between the red cabbage and the stuffed green peppers was the item:

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